Diesel genes of Sweden. A creative experiment, aiming to generate an exhibition of unique style expressions to be displayed at the mysterious Diesel XXX party in Stockholm. What’s in your genes?.

Created by the peeps over at AD&D.

No Comments | Posted by Andreas Pihlström on June 4th, 2008

“An explosion of architectural little magazines in the 1960s and 1970s instigated a radical transformation in architectural culture with the architecture of the magazines acting as the site of innovation and debate. Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X – 197X takes stock of seventy little magazines from this period, which were published in over a dozen cities. Coined in the early twentieth century to designate progressive literary journals, the term “little magazine” was remobilized during the 1960s to grapple with the contemporary proliferation of independent architectural periodicals. The terms “little” and “magazine” are not taken at face value. In addition to short-lived radical magazines, Clip/Stamp/Fold includes pamphlets and building instruction manuals along with professional magazines that experienced “moments of littleness,” influenced by the graphics and intellectual concerns of their self-published contemporaries.” - Click/Stamp/Fold

No Comments | Posted by Michael Paul Young on June 4th, 2008

Believe in god or not, the design work Matthew Wahl is doing for Christians is very nice work, and very progressive. Rock on God

No Comments | Posted by Michael Paul Young on June 3rd, 2008

We just took part in a large exhibition about graphic design and the close relation to T-shirts. The exhibit was put together by KOP + Staynice and it goes until June 29 in Breda, the Netherlands during the Graphic Design Festival Breda. You can view the opening at this blog.

No Comments | Posted by Michael Cina on June 3rd, 2008

Soundtrack of the day here in the Bangkok studio, Mr Off tells us he has some new music for us to jam too. Little did we know it would involve the sexy (and moaning) vibes of Masami Kawahara & The Exotic Sounds. Hot stuff, in many ways…

No Comments | Posted by Michael Paul Young on June 3rd, 2008

Isabella Rossellini explores the world of insect mating.  Get your freak on.

No Comments | Posted by Josh Boston on June 2nd, 2008

We recently got an “offer” to work on a large art show revolved around an alcohol brand which I will leave unnamed and have no desire to call them out. This isn’t about one brand, it is about ALL companies that do this. Sadly, we get offers like this on a semi-regular basis. This is a very common practice for companies (same free pitches), and why shouldn’t it? Designers, artists, etc will GIVE their work away for free. Why pay? When I started out, I would do free work for anyone and everyone. The internet was very young and so was I. I honestly have nothing against the concept of doing free work for small companies, friends, etc. It is how I got my work to reach people across the globe, it is smart sometimes to do free work as you can reach a large audience by doing one small job. In all fairness though, the work I did normally was for indy sites, portals, etc. Not for companies that pull in dollar amounts that we can’t dream of. When I went to school, our teachers taught us to NEVER do free work. It was something that I quickly forgot about when I needed work for my portfolio, so I could get a “real job.” I would do free work and the jobs would take forever to complete because of constant changes and other disrespectful acts that I will not delve into. It’s free, so maybe its worth nothing? After I finished the nightmare projects, I sure felt like my work was worth nothing and I would never put the work that I did into my portfolio because the “client” directed the work into something I was embarrassed to show. I will give an example of what I am talking about. Let’s say you are doing a brochure for a small bed and breakfast. Maybe you even know them. It costs $200 dollars a night to stay there and you charge $800 for a brochure. Then you should get around 4 complimentary visits for your work. Would seem fair to me. But this rant isn’t about tiny companies that struggle to survive, its about large ones that seduce people into thinking they are doing the artists a favor for showing your work. Like they respect your work enough to be associated with you, but not enough to pay you so you can continue to pay rent and do that work. They are NOT doing you a favor, you are doing a whole campaign for them, for free. It’s time for this devaluing practice to stop.

3 Comments | Posted by Michael Cina on June 2nd, 2008