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Librum E Font
Font Products, T7471 Librum E
- Images
- Glyphs
- Type Tester
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See 6 Buying Options








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Complete Family (5 fonts)
$74.95 Add to CartCart DataCart DataCart DataCart DataLibrumE BookLibrumE BoldLibrumE BoldItalicLibrumE ItalicLibrumESmCapView All Fonts -
LibrumE Book
$24.95 Add to CartCart DataCart DataCart DataCart Data -
LibrumE Bold
$24.95 Add to CartCart DataCart DataCart DataCart Data -
LibrumE BoldItalic
$24.95 Add to CartCart DataCart DataCart DataCart Data -
LibrumE Italic
$24.95 Add to CartCart DataCart DataCart DataCart Data -
LibrumESmCap
$24.95 Add to CartCart DataCart DataCart DataCart Data
The major focus of my life and ministry at this point is book design. In the brave new world of 21st century self-publishing a new paradigm has arisen: the indie small shop. One of the problems is that all books are published as ebooks, and many books are published only as ebooks. There are two problems with this: character availability and licensing.
The licensing problem is solved by including an ebook license with all of the Librum, Librum E, Librum Sans and Bream fonts. The character availability is the core of the design. OpenType features do not work yet with ePUBs [though it is in the spec, if I understand correctly]. Kerning doesn't work, and so on.
So these five fonts have only the 256-character [or less] ASCII set. A separate small caps is included. It has lining figures {proportional} and small caps instead of the graphics. The other four fonts have graphics to give bullet choices in lists, oldstyle figures {proportional}, and care given to character shapes so they will work better without kerning.
For a great deal on the Librum Book Design Group, all fifteen fonts, please look at the bottom of the Buying Choices tab!
YouWorkForThem fonts work on Mac, Windows, Linux, iOS, Android and Canva. Licensing for web, eBook, and mobile apps are available under Buying Options. Pay once, enjoy lifetime access—no subscriptions required.
David Bergsland
David has worked in printing and publishing since he began in 1971. As he progressed from illustrator, to graphic designer, to typographer, to art director, he fell in love with type. Yet he was frustrated by the fonts available—specifically the lack of oldstyle figures, small cap figures, and the rest of the...
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