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5 Products
We are a design collective devoted to beautiful branding, brand strategy, responsive websites, and package design made in the United States. Let's build!
566 Products
52,744 Products
fStop is a Berlin-based photo agency that launched in 2002 with the goal of providing the design community with an alternative to the cliché-ridden world of stock photography. Up until late 2014 fStop was part of Fontshop International, a company which was founded by designers Erik Spiekermann and Neville Brody in the late 80s, and is best known for the success of its typefaces. With its origins deeply rooted in the graphic design community surrounding FontShop, fStop has always had strong ties
9,653 Products
We believe good ideas can be applied to anything. Even if it’s a slice of bacon, a piece of bread, a handful of seeds or a dozen of eggs it has all chances to become a fabulous typeface. That’s why in 2008 we founded an Estonian-based company called Handmadefont. Back then neither the font industry was that well developed, nor the term ‘handmadefont’ itself was known. People used to consider fonts as keyable raster images. We suggested a new angle: fonts can be made of what-so-ever. Need a titl
32,499 Products
Jacob Lund Photography is a production company specialising in stock images. We are passionate about creating beautiful visual content that appeals to a big variety of customer needs. We love authenticity so that's why we strive to capture the natural and genuine feeling in each image.
268 Products
Marko Zamurović was born in Belgrade, Serbia and studied Art Production at the Academy of Fine Arts. He has participated in several international projects as a photographer, graphic designer, editor and producer. Marko has been signed up at several international photography events, and as a result his work has been included in prestigious photo monographs. His works are widely published in print and in online editions of many photography magazines. Marko currently lives and works in Belgrade as
24 Products
I design type from a bread-and-butter Graphic Designer’s perspective: What type do I need that I can’t find? What type do I want to use that’s way too expensive? What type do I want to see in the world but don’t? And how can I make it delicious? For me, deliciousness — flavor — is key. Not all type has to be “good type,” whatever that means. It should be designed with thought and care and craft. It should be supremely usable. But it should aim beyond usability toward (trust me: this is the righ
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