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David has worked in printing and publishing since he began in 1971. As he progressed from illustrator, to graphic designer, to typographer, to art director, he fell in love with type. Yet he was frustrated by the fonts available—specifically the lack of oldstyle figures, small cap figures, and the rest of the typographic niceties needed for excellent typography. When he was asked to write the first textbook on the all-digital printing workflow in 1994, he decided he would need to design all the
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